I just wrote the following blurb for Lance Phillips' third book, to be published, like the first two, by Ahsahta Press. A blurb is also a review, so I'm issuing this one two or three months in advance of the book's publication:
Lance Phillips’ poetry takes us immediately into a carnal theater where the word and its thing stagger under the weight of their attraction for each other. Thus actions which are rational and understandable in real life, like having sex and then touching your ear, take on enthralling intensity. The drama of representation is also heightened because the visual frame is a series of quickly changing keyholes; each foreshortened view has immediacy. This is not conventional poetry, in which voluptuous intentions are pursued by means of poetic rhetoric. Lance Phillips’ poetry models consciousness itself. So description won’t do; it’s too removed and slow. Rather than reconstitute, the poet enacts: “Desire and perception meld: moist crease, sun / Wasp, it filled his mouth.” We are first witnesses as now, and again now, worlds interact: “On lips here her body in birds of the air.” To read this book is to experience a series of transformations; in effect, to learn to read all over again.