Lance Phillips

Most everything I have written for public consumption, or at least everything that is still worth reading, is publicly available somewhere. As my readers know, I am a harsh critic of that joke/horror of an institution called the academic publishing industry, and tried to have as little to do with it as I could manage. But one paper that ended up behind a paywall is my analysis of why the epidemiologic evidence clearly shows that industrial wind turbines (IWTs) cause health problems in nearby residents.

In honor of the #pdftribute campaign for Aaron Swartz I am breaking the paywall and making that paper freely available here.

He was a true champion for making information that is part of our common heritage (and paid for by all of us) available to all of us. And, sadly, apparently also an example of the toll that depression takes on many people with great vision.

My anthology Postmodern American Poetry: A Norton Anthology, 2nd edition, to be officially published in March (books in the warehouse in late January for those ordering for the classroom) just received a starred review in Publishers Weekly, see the link below. In the meantime, here's the text of the review:

Hoover, a highly regarded West Coast poet and deep practitioner of the poetics that are the focus of this book, has greatly expanded this important anthology for its second edition. First coined by the poet Charles Olson in 1951, the term “postmodern” is defined by Hoover in his introduction as “an experimental approach to composition, as well as a worldview that sets itself apart from mainstream culture and the sentimentality and self-expressiveness of its life in writing.” That definition suggests both academic and theoretical nature of much of the poetry contained herein, as well as the many unusual formal devices often employed. But the range here is stunning, from Olson’s panoramic histories to Frank O’Hara’s chatty cityscapes to Lyn Hejinian’s bottomless autobiography. What makes this edition so welcome, for both classroom and personal use, is its inclusion of many newer poets whose careers hadn’t yet begun when the first edition was published. Now we have K. Silem Mohammad’s Internet-infused lines, Claudia Rankine’s moral collages, Christian Bok’s vowel experiments, and more, including very new writers like Ben Lerner. There’s plenty of everything—especially strong emotion—if one knows where to look. This will be an essential book for students and serious fans of poetry. (Mar.)

Reviewed on: 12/24/2012

http://www.publishersweekly.com/978-0-393-34186-7/