Showing posts with label postmodernism. Show all posts
Showing posts with label postmodernism. Show all posts

Postmodern American Poetry 2nd Edition


My anthology Postmodern American Poetry:  A Norton Anthology, 2nd edition, to be officially published in March (books in the warehouse in late January for those ordering for the classroom) just received a starred review in Publishers Weekly, see the link below.  In the meantime, here's the text of the review: 
 
Hoover, a highly regarded West Coast poet and deep practitioner of the poetics that are the focus of this book, has greatly expanded this important anthology for its second edition. First coined by the poet Charles Olson in 1951, the term “postmodern” is defined by Hoover in his introduction as “an experimental approach to composition, as well as a worldview that sets itself apart from mainstream culture and the sentimentality and self-expressiveness of its life in writing.” That definition suggests both academic and theoretical nature of much of the poetry contained herein, as well as the many unusual formal devices often employed. But the range here is stunning, from Olson’s panoramic histories to Frank O’Hara’s chatty cityscapes to Lyn Hejinian’s bottomless autobiography. What makes this edition so welcome, for both classroom and personal use, is its inclusion of many newer poets whose careers hadn’t yet begun when the first edition was published. Now we have K. Silem Mohammad’s Internet-infused lines, Claudia Rankine’s moral collages, Christian Bok’s vowel experiments, and more, including very new writers like Ben Lerner. There’s plenty of everything—especially strong emotion—if one knows where to look. This will be an essential book for students and serious fans of poetry. (Mar.)
Reviewed on: 12/24/2012

Call for Work: The Arcadia Project


CALL FOR WORK: THE ARCADIA PROJECT

I can’t even enjoy a blade of grass unless there’s a subway handy or a record store or some sign that people do not totally regret life.
–Frank O’Hara, “Meditations in an Emergency”

Scheduled for publication by Ahsahta Press in May 2012, and edited by Joshua Corey & G.C. Waldrep, The Arcadia Project seeks to explore the relationship between the postmodern and the pastoral in contemporary North American poetry.

In the twenty-first century it is only a short leap from civilization and its discontents—from the violent inequities of the “global village”—to the postmodern pastoral. Postmodern and pastoral: two exhausted and empty cultural signifiers recharged and revivified by their apparent antipathy, united by the logic of mutual and nearly assured destruction. With gas and food prices climbing, with the planet’s accelerated warming, with the contraction of our cheap-energy economy and the rapid extinction of plant and animal species, both the flat world of global capitalism and the green world of fond memory are in the process of vanishing before our eyes. As Frederic Jameson once remarked, “It seems to be easier for us today to imagine the thoroughgoing deterioration of the earth and of nature than the breakdown of late capitalism; perhaps that is due to some weakness in our imaginations.” It is to that question of imagination—dystopian and utopian—that this anthology addresses itself.

Any work that address the pastoral in a postmodern idiom, vocabulary, or context, or vice versa, is welcome. Please send up to 20 pages of poetry, in standard electronic format (PDF, .doc, .docx, .rtf, .wpd) to Josh Corey & G.C. Waldrep at postmodernpastoral@gmail.com. Deadline: 9/1/10.

Please feel free to forward this call to others, post on your blog, etc. We look forward to reading your work.